This is not a full review of the Mamiya 645 AF, but rather a sneak preview. The purpose of sneak previews is to rush the latest information to the readers first-hand, enabling readers to make informed choices about your intended purchases.

Thanks to special arrangement, I was able to handle the M645AF before it is launched into the open market. This sneak preview will offer readers some views and opinions of the camera, so that you can decide if it is worth waiting for the camera to hit the streets.
 
 

A new era

On the first of March 1999, Mamiya announced the introduction of the Mamiya 645 AF System. The 645 medium format SLR was pioneered by Mamiya more than 25 years ago, and Mamiya has since dominated the 645 format with an excellent range of 645 cameras. Mamiya has been extremely successful with the Mamiya 645 Pro TTL camera system. With the introduction of the 645AF, there is no doubt that Mamiya hopes to step up its share of the 645 format market,

The introduction of autofocusing to medium format was first found in the Pentax 645AF. Subsequently, Contax jumped into the AF bandwagon with its first medium format camera, the Contax 645. Prior to these two cameras, AF was never associated with medium format cameras. The two pioneering cameras have shown that it is possible to incorporate AF into medium format cameras, and more importantly, there is a market for AF medium format cameras. The introduction of the Mamiya 645 AF camera will bring the number of AF medium format cameras to three.
 
 
 

Build and ergonomics

We shall start with the looks and handling of the camera.
 

The Mamiya 645AF sports a clean and lean design, doing away with superfluous dials and switches. The overall design is minimalist, and pleasing to the eye. All the corners are rounded and smooth, giving it a sexy apperance compared to the boxy and chunky looking Pentax 645 series. Even the labelling for the buttons and dials are almost all abbreviated to single alphabets, which may not be a good thing if you are unfamiliar with the camera. But since the naming convention is common to most cameras (e.g. S for Single and C for continous), most users will not find much problem decrypting the abbreviations.

Layout
The camera controls are quite well spread-out and logical. Basically, this is a camera which you can figure out in 15 minutes without a manual. There will be some functions which you may not be able to understand, but for most parts of the operation (at least the essential ones), there is no problem using the camera at all. This speaks very well for the camera, since many medium format cameras are so complex to operate that a novice will have a hard time figuring out what the buttons and catches are for.

Body
The body of the M645AF is built from a magnesium alloy selected for maximum protection against shock or impact, and it weighs in at 1.7kg, which is pretty good for a medium format camera. The M645 with lens and magazine felt like a F5 in the hands, which is testimony to its light-weight and good balance. The grip and sides of the M645AF is covered in rubber coverings, which really helped in handling of the camera. In fact, I thought the rubber grips looked like the texture of the Nikon F5 grip. The camera has good ergonomics, and you have to handle it to appreciate the design. The M645AF camera molds to the hands, and it feels even better than the Mamiya 645 Pro series. The shutter button falls nicely under the index finger, and the camera feels very well-balanced in the hands. In fact, the M645AF feels like a slightly oversized F5 in my hands. There is no doubt that the excellent ergonomics of the camera will enhance the handling during long periods of use.

Finishing
Although the exterior of the M645AF looks pretty cool with its smooth matte black surfaces, I have my doubts about the durability of the appearance. The camera that I handled was scuffed in some areas, even though it was not that abused. The large smooth area at the top of the pentaprism looks as if it was inviting the gods of scratches to inflict some injury onto it. I'm not sure about the durability of the camera, but the looks department certainly need some tender loving care to maintain itself!

Shutter mechanism
One complaint about the collar switch which controls the "off-single-continuous" function is that the catch for the switch is too flat to operate in a hurry. However, the plus point is that the shutter release button incorporates a conventional screw-in cable-release socket, which means you do not need to buy expensive electronic cable releases. The mirror slap for the M645AF is impressive, being sure and smooth. The mirror slap is so light that it is almost fully absorbed by the weight of the camera! Perhaps it will be more noticeable with a longer lens, but the camera's low mirror slap and nice ergonomics make it a steady medium format camera. As for the sound, the M645AF is none too quiet about the mirror, but compared to cameras like the Pentax 67, this camera is definitely on the quiet side.

Others
I must say that I am very impressed with the viewfinder of the Mamiya 645AF. It has one of the finest eyepoint of any prism that I saw, allowing bespectacled individuals like me to view the entire image (94% viewing) and numerical display without problem. The LCD readout is sharp and clear, and lit up for easy reading in any lighting. The built-in diopter adjustment of -2.5 to +0.5 diopters allow eyeglass wearers to adjust for their vision.

In addition, the M645 features 2 dials for aperture and shutter setting adjustments. The front dial is operated by the index finger for adjusting shutter speeds (in 1/2 stops) and the back thumb dial controls the aperture. There is no aperture ring on the lens throat, so users of the original Mamiya 645 may have to get used to this system. However, it is pretty easy to pick up and you'll get used to the new system quickly.

The lens change is ultra smooth, due to the absence of any mechanical linkages such as aperture stopdown levers. One drawback is the safety catches on the film magazine. The film magazine is locked in place by two catches, and it is a two-handed operation to change the film magazine. As a Hasselblad user who can change the magazine with a single catch, I find it unnecessarily complicated to operate two catches. But the added security of double-catches may be a plus for some users.

At the end of the day, the Mamiya 645 AF is evolutionary rather than revolutionary. Although it incorporates autofocusing for the first time in the legandary M645 series, many components are built upon the framework and technology well-proven on the manual M645 series.
 

Autofocus

The MAMIYA 645 AF uses a TTL (through-the-lens), phase-difference-detection type auto-focus system. What this means is that the CCD sensors in the camera measures the difference and adjusts the focus until the difference in focus is eliminated, something akin to matching the lines in a split-field focusing screen. A built-in infrared beam is activated in situations of low contrast or low-light situations, assisting the AF to catch focus quickly. There is a choice between Single AF (focus priority) and Continuous AF (release priority), using the AF mode dial.

The Mamiya 645AF uses the conventional AF motor in the body to drive the focusing of the lens via a shaft. This is the system used by Nikon for its non-AFS lenses. Unlike the much more expensive Contax 645, the M645AF does not use ultrasonic motors, probably to keep the costs down. The AF is not exactly the most silent that I've heard, and Mamiya could have done a better job. The AF locks into focus moderately quickly, but it is slower than a F90X. Perhaps a fair comparison would be to say that it autofocuses like the Nikon F4. I think it is unreasonable to compare medium format AF speed to that of a 35mm, but the M645 holds up pretty well on its own though. It utilizes spot area focusing, so you need to aim the center of the M645 AF at the object to focus, and hold the shutter button half-way to lock focus. All this is easier done than said, and it is quite a pleasure to use autofocus on a medium format camera.
 

Shutter

The Mamiya 645AF utilizes a focal-plane shutter, which is electronically controlled for increased precision. In manual mode, the shutter is adjustable in 1/2 stops, from 30 seconds to 1/4000th second. This range is probably enough to satisfy almost all of your photographic needs. The shutter syncs at 1/125th sec.  for flash-photography, which is only to be expected for a focal plane shutter. Frequent users of fill-in flash in sunlight might like to check out other leaf-shutter cameras for higher sync-speeds up to 1/500th sec, like the Mamiya RZ67 or Hasselblad 500-series.

In AE mode, the shutter speeds and aperture values are controlled automatically in 1/8 stop increments. A further control exists in the form of exposure compensation of  +/- 3 EV in 1/3 stops. A mechanical T-setting (Time)  also allows infinite lock-up of the shutter without battery consumption, ideal for long exposure photography (such as star-trail photography or astro-photography).
 

Metering

The MAMIYA 645 AF has a total of three metering modes: Center-weighted average, Spot, and Auto A-S (Variable ratio). The Center-weighted and Spot metering are common to all the cameras, but the Auto A-S mode requires a little explanation. This innovative metering mode will analyze the image areas of brightness, and determine if the subject is in contrasty lighting. If the meter detects high contrast lighting, it will automatically switch to spot metering. Otherwise, the meter will function using average metering in situations of average contrast. This innovative metering mode was developed in the prism for Mamiya RZ cameras, and implemented in the M645AF. The meter has a sensitivity of EV 1 to E'V 19, which gives is great for all but the darkest situations.
 

Lenses

The Mamiya 645 AF uses the new Mamiya 645 AF mount, for which 6 new autofocus AF lenses are designed for. The lenses are as follows:

                                        - 45mm f/2.8 AF
                                        - 55mm f/2.8 AF
                                        - 80mm f/2.8 AF
                                        - 150mm f/2.8 AF
                                        - 210mm f/4 AF
                                        - 300mm f/4.5 AF

It is not known if Mamiya is going to produce more lenses yet, but my guess is that they certainly will. Although the current range of AF lenses is pretty complete, the new M645AF can do with more specialty lenses such as a macro lens and fast telephoto lenses.

The 300mm lens incorporates Ultra Low Dispersion (ULD) glass to correct Iateral chromatic aberration,  while  the wide angles are designed with floating element mechanism, for enhanced sharpness from close-up to infinity.

You can use the existing 22 manual focus interchangeable lenses of the Mamiya 645 series for the new M645AF. The manual lenses have focus confirmation capability and stopped-down AE metering, enabling owners of the manual Mamiya 645 system to use them on the new M645AF camera.
 

Magazines

The Mamiya 645AF system has a total of 3 interchangeable backs: 120/220mm and Polaroid magazines. In addition, a digital back is being developed for the camera. The standard film magazine can be used with either the 120mm or 220mm film, simply by turning a dial on the magazine. There is no need to purchase different magazines for the two different format, which is a big plus. The magazines are fitted with ISO film dials and a small digital LCD display, making it very convenient to use the magazines with ther meter. Assuming that you set the ISO film speed correctly on the magazine, the meter will take note of the ISO speed whenever you swap magazines. This is accomplished through several contacts between the magazine and body. There are also spare inserts which you can purchase, allowing you to preload film for fast-paced shooting. The inserts are quite well designed, snapping in and out of the magazine smartly, with spring-loaded action.

Like the Pentax 645AF, the Mamiya 645 allows for data imprinting outside the image area of the film. I did not get the chance to try the data imprinting, but according to the data sheet, it is a pretty useful function. The data imprints can print the exposure mode, aperture value, shutter speed value, exposure compensation and metering mode. In addition, you can print the year/month/date/time and a identification number too. The ID number is memorized by the "smart" body, so it will continue where you left off if you decide to switch magazines and back again later on. If you do not need the imprint function, you can simply turn it off.
 

Flash metering

Using Metz's SCA3000 module system, the Mamiya 645AF can support TTL direct flash control system. This allows the user to perform automated flash, which greatly speeds up shooting and reduces the hassle of figuring out flash calculations. For those with a inherent fear of flash photography, this feature will encourage you to use the flash more often.
 
 

Price and availability

The official price of the Mamiya 645 AF has not been available yet, but a check with Cathay Photo in Singapore revealed that it will cost around S$4000 (approx. US$2424) for a complete set, depending very much on the strength of the Japanese yen. The MAMIYA 645 AF will be available internationally by end of October, and interested parties can ask for a online quotation from Cathay Photo website. 
 

For additional information:

For additional information on the 645AF, visit the Mamiya Forum at the Mamiya America Corporation website.
 
 

Specifications: Mamiya 645 AF

Camera Type: 6 x 4.5 cm format, electronically controlled focal-plane shutter, TTL multiple mode AE, AF single lens reflex
Actual Image Size: 56 x 41.5 mm
Film Type: 120 roll film (16 exposures ) 220 roll film( 32 exposure ) Polaroid Land Pack Film (I00 & 600 series)
Lens Mount: Mamiya 645 AF Mount M645 Mount can be used (manual focus confirmation, stopped-down AE)
New AutoFocus Lenses: 45mm f/2.8 AF, 55mm f/2.8 AF, 80mm f/2.8 AF, 150mm f/2.8 AF, 210mm f/4 AF, 300mm f/4.5 AF
Finder: Fixed prism finder magnification 0.71x, Built-in diopter adjustment (-2.5 to +0.5 dpt., also possible are adjustment ranges of -5 to –2 dpt. and 0 to +3 dpt. by using separate diopter correction lens), integral eye-piece shutter
Focusing Screen: Interchangeable, Matte (standard) and Checker.
Field of View: 94% (ratio of horizontal/vertical against actual image)
View-finder Information: Focus display, out-of-focus direction mark, aperture value, shutter speed value, metering mode (A, S, A/S), battery-ready, AE lock, exposure compensation (difference in metered value between set one and actual one)
AF system: TTL phase-difference detection type
Detecting device: CCD line sensor
Focusing area: Indicated on the focusing screen
Metering method: Center weighted average (AV), spot (S) and variable ratio (A-S auto change)
Metering Range: EV 1 (F2.8, 4 sec.), - E'V 19 (F11, 1/4000 sec.) (in case of ISO100, F2.8 lens)
Exposure compensation:±3 EV (1/3 step)
Film speed: ISO 25 - 6400
AE lock: Yes (AEL button)
Shutter: Electronically controlled metal focal plane shutter, (vertical)
Shutter speed: AE 4 – 1/4000 sec. (1/8 step), manual 30 – 1/4000 sec. (1/2 step), X, B (Bulb. Electronically controlled), T (Time, mechanically controlled), emergency shutter blades open mechanism of the shutter (open without the interchangeable magazines, automatically return with the interchangeable magazines)
Flash control: TTL direct metering, supports Metz SCA3000 system
Film transport: Automatic transport via built-in motor, single or continuous exposures
Film loading: easy-loading
Multiple exposure: 1 - 5 times
Outside LCD: Camera body; aperture value, shutter speed value, self-timer, ABL, battery confirmation, multiple exposure, program AE or program AE shift value, data imprinting
Interchangeable Film Magazine: ISO speed, type of film (120/220), exposure number
Data Imprinting: 7 segment, dot matrix method, DATA mode; exposure mode, aperture value, shutter speed value, exposure compensation, metering mode, ID number. DAY mode; Year/Month/Date/Time, ID No.
Switchable: Active/Inactive
Sync. terminal: X contact (sync. speed 1/125 sec.)
Cable release socket: On shutter button
Remote-control terminal: On the side of the body, Electromagnetic cable release
Self-Timer: 3 - 60 sec. (standard: 10 sec, can be set 1 sec. step between 3 sec. and 10 sec., and 10 sec. step between 10 sec. and 60 sec. )
Depth-of-field confirmation: Preview Button
Tripod Socket: U 1/4 inc. and U 3/8 included
External AC Power Socket: provided
Size: approx. 154 X 132 X 184 mm
Weight: 1700g (w/o batteries)

 
Copyright (C) 1999 Nelson Tan
All Rights Reserved.
 

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