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Cracking
the DX Code
By Nelson
Tan
Cracking the DX code is nothing as
glamorous as cracking the DNA code. But it is something everyone can easily
do. Most cameras come equipped with DX coding, and most can be disabled
with a manual ISO setting override. But there are some compacts and SLRs
which cannot be overridden. Or sometimes, the odd roll of film may not
be DX coded. Other than screaming and pulling your hair out, is there anything
you can do?
Of course you can do something about
those arrogant computers. Show them who's boss! Let them know
you decide the film speed, not them. DX coding is a system of film coding
that is almost universally adopted by film manufacturers to denote the
characteristics of the film onto the 35mm film canister in a format that
can be read by a camera's DX contacts. DX coding consists of a series of
black or silver squares on the side of the canister. Silver is an unpainted
square and allows electricity to flow between the two contacts on the silver
square. Black is painted and thus non-conductive. Through the series of
contacts, the camera reads the pattern of squares and decodes the type
of film in the canister.
What are the information encoded in
the DX code? Exposure latitude, length of film and ISO speed are all encoded
on the squares. By changing the pattern of the squares, you can fool the
cameras about what film type is in the camera. You can scrape off black
paint to make a black square silver, or paste stickers over silver squares
to make it appear "black" to the DX code contacts.
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Table for Squares 2 - 6
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Squares |
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| ISO | 2 | 3 | 4 | 5 | 6 |
| 25 | |||||
| 32 | |||||
| 40 | |||||
| 50 | |||||
| 64 | |||||
| 80 | |||||
| 100 | |||||
| 125 | |||||
| 160 | |||||
| 200 | |||||
| 230 | |||||
| 320 | |||||
| 400 | |||||
| 500 | |||||
| 640 | |||||
| 800 | |||||
| 1000 | |||||
| 1250 | |||||
| 1600 | |||||
| 2000 | |||||
| 2500 | |||||
| 3200 | |||||
| 4000 | |||||
Key to diagram
| Denotes black squares |
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| Denotes silver squares |
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